4/5/2024 0 Comments Carr aural training![]() She has made a body of work centered on various sound technologies in order to explore language, notation systems, code and encryption, and ways in which these might resist standardization, generating new soundscapes, and in turn new forms of listening and attending to the other. Works are made in conversation and use dialogue as both method and subject matter. ![]() ![]() Image: Aura Satz, video still Preemptive Listening, 2018Īura Satz’s work encompasses film, sound, performance and sculpture. This reading is organized in the framework of SIREN (some poetics), a group exhibition and a poetics devoted to technologies of myth and mouth, earth and alarm, gender and language.įree and open to the public. Living across multiple scales of threat, how to disentangle immediate danger from long-term distant danger? But more importantly, how to recalibrate the siren away from the sound of trauma? Towards a sound that allows us to imagine otherwise, towards a future that is not mired in catastrophe.” (from Aura Satz’s “Preemptive Listening” included in the exhibition catalog) The siren calls forth unravelling scars, some near and visible, others remote, imperceptible, buried in the deep future, unimaginable beyond this lifetime. ![]() It hovers in the split-second before future ruins. “The siren is firstly a call to attention, secondly a call to action, and lastly, it faces forward. In this conversation artist Aura Satz and writer Daphne Carr consider the revolutionary potential of the siren, and how we may engage in a practice of “preemptive listening.” ![]()
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